Hosts Stephanie Valle and Lisa Elliot are joined by Enrique Ponce and Doug Pullen to discuss creating the score for "Her Husband's Trademark."
Enrique Ponce is an award-winning composer whose music has been featured in numerous film and video game projects both in the United States and abroad. Enrique holds a Master of Music Degree in Scoring for Film, Television, and Video Games from the Berklee College of Music in Valencia, Spain.
He has had the privilege of recording and conducting his music with renowned film orchestras in the U.K., Hungary, Macedonia, Russia, and Spain. Recognized for his compositional creativity and orchestral zest, Enrique’s music has won and been nominated for awards at film festivals across the United States. Most notably, he received the Best Original Score award at the Los Angeles CineFest for his score to the animated short “Twilight Prophecy” in 2017.
After completing his studies in Europe, Enrique returned to his hometown of El Paso, where he continues to actively score new projects. His local collaborations include work with PBS Digital Studios, PRC Productions, Bored Film Studios, Xigma Games, and JonGon Productions.
Internationally, Enrique has scored televised productions in Thailand and assisted with compositions and recording sessions in Kuwait and Venezuela. Within the United States, Enrique has worked extensively with Materia Collective, a record label specializing in the production and licensing of video game music. Through Materia Collective, he has released several albums, including those officially licensed by SquareEnix and Nintendo.
You can listen to Enrique’s music on Apple Music, Spotify, and Google Play Music, or by visiting his website at www.enriqueponcemusic.com.
Doug Pullen is in his 12th year as the program director for the El Paso Community Foundation and its highly popular Plaza Classic Film Festival, which celebrates its 18th anniversary July 17-27, 2025 ,in and around the historic, restored Plaza Theatre in El Paso, TX. Born in Maine, he is an Eastwood High School and Texas Tech University graduate who worked nearly 40 years as a music critic, movie critic and arts and entertainment writer for newspapers in Texas and Michigan, where he covered the Detroit music scene for nearly 20 years.
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